Yet Again, Love Island Is Failing Us On Diversity

Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing here in Ireland, but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity, and this season is no exception. 

 

When the cast was announced a few weeks ago, the array of toned and buff bods did not come as a shock to most of us but was somewhat of a disappointment. This is not the first time that ITV has been criticised for the lack of body diversity of the contestants. In fact, the creative director of ITV Studios Entertainment Richard Cowles responded to similar complaints last year by saying, “Yes we want to be as representative as possible but we also want [the contestants] to be attracted to one another.” He also said that the cast was “a group of people we want to watch for eight weeks.” By insinuating that viewers would not want to watch different body types on their screens, Cowles and ITV are perpetuating the idea that there is only one acceptable body type, and that anything outside of that is both unacceptable and unattractive.

 

 

This season, in spite of the lack of body diversity, certain contestants have still been the butt of a joke due to their physical appearance. While body image is something we usually consider a women’s issue, in the Love Island villa it would appear that men suffer scrutiny as much, if not more so, than women. 

 

In the first episode, after the girls have introduced themselves and are enjoying a glass of champagne, they chat about what their “type” is. One thing the girls can all agree on is that they prefer a tall “manly man”. As the show has progressed, we have seen Nas suffer as a result of his height. His original partner, Siannise complained that he was too short and his height was the subject of ridicule in a game the islanders played on Sunday the 19th’s episode. In a game where islanders had to guess the answer to questions about their partners, Jess had to guess Nas’s greatest fear. Her answer, “heights,” was an obvious source of laughter. Being a good sport, he has taken the teasing on the chin. However, as viewers we cannot help but think, ‘if a woman got this much flak for her physical appearance, would we be more outraged?’ 

 

 

ITV has also been accused of lack of representation when it comes to race. The cast has undoubtedly become more racially diverse as the seasons have gone on, but this has allowed for latent racial prejudices to be played out on our screens. The producers have been accused of giving black women very little air time, an issue that was pointed out in the cases of both Samira from the 2018 cast and Yewande from last year’s cast. The absence of Yewande from our screens became so blatant last year that it prompted the use of the Twitter hashtag #whereisyewande. A similar case could also be made for this season’s Leanne. While her partner Mike seems to be one of the cast’s principal characters, Leanne is fading into the background. Fans may defend the show by saying that perhaps these contestants’ storylines just aren’t as interesting, but others would argue that there is a pattern emerging. 

 

 

There is also a strong argument for the problem of the fetishization of contestants of colour and of mixed race in the show. This first came to light in the 2018 series, when both Georgia Steel and Ellie Brown said their type was “mixed race.” This resulted in frustration and it was explained that claiming to be attracted to mixed race people is incredibly reductive as it assumes that all mixed race people look alike – an assumption that could not be more wrong. In this season the comparisons between Asian contestant Nas and Disney’s Aladdin have provoked some backlash. Perhaps this is only the case because his first partner, Siannise, compared herself to Jasmine. In any case, the debate surrounding the ways we view the contestants (and of course how they view each other) according to their appearance continues. 

 

The most glaringly obvious way in which Love Island has missed the memo in terms of representation is in its extremely heteronormative format. The entire concept of the show is based on heterosexuality. The idea is akin to a glamorous Lisdoonvarna – a group of attractive twenty-somethings lounging around a villa in swimwear figuring out who they fancy the most, that person being of the opposite sex of course. The only departure from this heteronormative format was in 2016, when two bisexual women had a brief fling. Writing for the Guardian, Fay Schopen has argued that if Love Island is supposed to be reality TV, surely it should reflect reality more accurately. 

 

 

This sentiment can be applied to the show in general. The appeal of Love Island lies in the gritty moments of authenticity. As members of the audience, we love to see our own dating woes played out before our eyes. We relish the moments of pure love and mourn the moments of pure heartbreak. The fact that the cast members are presented to us as real, normal people allows us to share in their joy and their anguish in a way we can’t with scripted television. 

 

The body type, race and sexuality of the islanders do not (or at least should not) impact our connection with them, and Love Island producers are greatly underestimating their viewership if they believe that to be the case. 

 

 

Photo by ITV 

 

 

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Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Could Community Sponsorship be the Answer to Refugee Integration in Ireland?

Community Sponsorship is a pathway to resettlement that involves refugees being welcomed directly into a community by a group of people who have committed to helping them settle in and integrate. One group who have made this commitment are the St Luke’s Welcomes group in Cork City who realised they all shared a desire to act regarding the ongoing refugee crisis.

Mental Health: an entrepreneur’s struggle

As part of a series of articles to raise awareness about Movember, contributor Conor Kelly talks about experiences of dealing with mental and physical health issues. To give a real and complete insight of mental health struggles, he also talked to Andrea Horan, owner and entrepreneur of Tropical Popical.

Mental health: A musician and a psychotherapist

As part of a series of articles to raise awareness about Movember, contributor Conor Kelly talks about men’s experiences of dealing with mental and physical health issues. To do so, he interviewed a musician and a psychotherapist.

Movember: a young activist’s perspective

As part of a series of articles to raise awareness about Movember, contributor Conor Kelly talks about their own experience of dealing with mental and physical health issues.

Diversity and inclusion in the workplace: Ireland is making slow progress

Last month, the Good Summit Ireland, hosted in Trinity College, aimed to create “a space for dialogue that motivates those who feel disengaged and disenchanted with how the world works, offering a platform for solidarity, with new ideas and empowerment.” Editor Rose attended a talk on the topic of diversity in the workplace and reports for STAND News.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

It’s hard to believe that Naomi Klein has been chronicling the exploitation of people and our planet for over 20 years. As a 24-year-old, her voice emerged around the same time I was born, but I have only discovered her genius in recent months. The author of No Logo, This Changes Everything and The Shock Doctrine among many others has gathered writings and key speeches from the last decade for her latest work emphasising the imperativeness of the Green New Deal. The urgency of her work has only increased with the steady stream of heartbreaking environmental statistics leaking through the cracks of our social media feeds.

 

On Fire: The Burning Case for a Green New Deal takes place from numerous vantage points; the Vatican under Pope Francis’ “ecological conversion”, measuring environmental damages from the BP oil spill in the Gulf of Mexico, choking on smoke from wildfires in British Columbia, Vancouver and witnessing the die-off in the Great Barrier Reef. Her voice is as accessible as ever while she dissects the scientific and economic jargon for her whole audience to grasp, simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable for the endless hurt they’ve caused.

 

Klein examines the worrying resurgence of narratives regarding the right of supposedly superior white colonisers to inflict violence on those they classify as beneath them in the hierarchy of humans. Her consistent elevation of Indigenous voices is a priority for the climate justice movement, as minorities are the most vulnerable people with the lowest carbon footprint but bear the brunt of climate breakdown’s disastrous effects. From dozens of Indigenous tribes in the Amazon facing prejudice and stripped of land rights under President Bolsonaro and Justin Trudeau’s use of First Nations land for tar sands pipelines to the storms ravaging Puerto Rico and droughts in Africa and East Asia; Klein uses her platform to highlight how horrifically unfair the ecological destruction of our planet is. 

 

Using a rake of data, historical sources and referencing studies, research and interviews, the activist disproves claims that climate change is simply a result of “flawed human behaviour”. The greed of a small but elite group of neoliberal capitalists and 100 corporate fossil fuel companies saw the natural wealth of stolen lands as something to dominate and use up. The idea that the earth’s resources are boundless are reminiscent of capitalism’s grab and pull behaviour, the consistent consumption habits of the planet’s richest inhabitants to the detriment of the systematically unheard. Black and brown lives are being betrayed, while Western, wealthy countries build higher and higher walls.
 

The Canadian author tries to maintain a pragmatic and optimistic tone throughout the novel while making sure to put political leaders blocking climate action on blast. The opening chapter makes sure to reference the shining light of Greta Thunberg, declaring that young people are “cracking open the heart of the climate crisis”. Democratic eco-socialism is the backbone of the Green New Deal resolution, put forward by Congresswoman Alexandria Ocasio-Cortez and Senator Ed Markey. By the final chapters of Klein’s book, it’s impossible to deny that this plan is the only way forward, which is why she endorses Bernie Sanders for the Democratic nomination in 2020.  

The Green New Deal has its roots in Indigenous communities and tribes who have a compassionate and respectful relationship to the land, rather than seeing it as something worth draining of all life for the profit of a small few. It makes sure to illustrate that the economic strain of the plan should not be on the poorest people in our society. The plan works to eliminate the racial wealth gap and gender wealth gap while guaranteeing job security, free education, free healthcare, funded art projects and protection of wildlife and nature reserves, transport and childcare as well as 100% renewable energy. 

 

The vicious cycle of placing certain lives above ‘the Other’ has led to a dehumanising effect, with the rise of far-right, authoritarian movements globally and a shutdown of freedom of movement being called for in post-Brexit UK. The irony of anti-immigration sentiment rings hollow, Klein writes, once it dawns on them that Britain invented the coal-burning steam engine and has been burning fossil fuels on an industrial scale longer than any nation on earth. Their anger at the thought of paying for flood defences abroad while ignoring their role in climate-related weather storms in the Global South is peak white privilege.  

 

The writer stresses that the core crises of fake news, election tampering, data harvesting, violent wars over resources, racism, massive wealth inequality, white supremacy, poverty and sexual violence are all interconnected and must be tackled head-on as a collective social mass movement. The Green New Deal has strong plans in place in terms of financing the plan, simply by treating the crisis like the emergency it is; cutting military spending, shutting down tax havens and taxing the billionaires 1%. Funnel the funds back into the public sphere, decentralise power into local communities, keep carbon in the ground, raise the voices of those who were tramped on in society, and there you have it: democratic eco-socialism. Lifestyle changes, of course, are included. Mainly so that disposable income from our green job salary doesn’t go towards “buying crap from China that will inevitably end up in landfill”, as the author eloquently puts. The paradigm of equating personal prosperity with quality of life leads to wealth hoarding, and can’t possibly fulfil us.

 

“Climate change acts as an accelerant to many of our social ills (inequality, wars, racism, sexual violence) but it can also be an accelerant for the opposite, for the forces working for economic and social justice against militarism,” Klein says, instilling a sense of purpose within the reader. “It is not the job of a transformative social movement to reassure members of a panicked, megalomaniacal elite that they are still masters of the universe, nor is it necessary.” We must abandon the extractive, consumerist mindset and repair our relationship with each other as well as with the planet, the era of endless expansion is over.

 

With her usual elegance, humility and logic, Naomi Klein has gifted us with the tools to unite the movement once again and makes sure to assure us that we’re not alone. The issue demands us to act on a scale that humanity has never accomplished before. As Ursula K. Le Guin once said, “We live in capitalism, it’s power seems inescapable – but then, so did the divine right of kings.” Capitalism is not some stoic system that is built into our DNA with no alternative. Human empathy can still triumph, despite the men in the White House, 10 Downing Street and the Kremlin. We could cause the sixth great mass extinction event in Earth’s history, or we could create a prosperous civilisation: it’s our choice.

 

 

Photo by Joe Mabel

 

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Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Naomi Klein is as accessible as ever as she dissects the scientific and economic jargon of climate change, while simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable. On Fire: The Burning Case for a Green New Deal, has the possibility to unite the movement once again and inspire action on a scale that humanity has never accomplished before.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

New York Times journalists, Jodi Kantor and Megan Twohey broke the story about Harvey Weinstein in October 2017. The publication of the first piece on Weinstein led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. In She Said, they explain the process behind their investigative journalism.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa.

Book Review: “Yes, We Still Drink Coffee!”

“Yes, We Still Drink Coffee!” is a collection of powerful essays, interspersed with beautiful illustrations, that tell the stories of female human rights defenders from Egypt, Kuwait, Palestine, Tunisia, Turkey, Somalia and Sudan. Behind each story is a meeting of two women. Here is our review.

Short shorts film festival 2019 in Dublin – What to remember

Earlier this month, the European Union National Institutes for Culture (EUNIC) screened some of the best short films produced all over Europe, as part of the Short Shorts film festival. Screenings were hosted by language schools and embassies across Dublin.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

Two New York Times journalists, Jodi Kantor and Megan Twohey broke the Harvey Weinstein story in October 2017. The publication of the first Weinstein story led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. Their journalism had inspired a societal shift.  In She Said, they explain the process behind their investigative journalism. 

Weinstein, currently in court for the alleged rape and predatory sexual assault of two unnamed women, has over 80 allegations of sexual misconduct against him. Written in the third person, She Said follows Kantor and Twohey from the beginning to the end of their investigation against Weinstein. It includes interview transcripts, emails and texts- making the reader feel like they are almost witnessing the investigation first-hand. The reader gains an understanding of the collaborative process between Kantor and Twohey, who weren’t well acquainted prior to the investigation.

The first person interviewed by Kantor was actor Rose McGowan in May 2017, who had previously tweeted about sexual allegations against an unnamed Hollywood producer. “If white men could have a playground, this [Hollywood] would be it,” she said on the phone to Kantor. Weinstein paid McGowan a $100,000 settlement, which she donated to a rape crisis centre. Kantor knew that this settlement could be traced. Of course, finding other women who had similar experiences of Weinstein would make their case much stronger.

She Said gives an excellent insight into the process of investigative journalism and the huge amount of work and verification it requires. What do you say to someone in the first few seconds of a call in order for them to feel safe enough to tell their story? How do you get people to go on record? How do you prove the information you’ve gathered is correct? The journalists stressed that they always gave Weinstein and his team adequate time to respond to claims before publishing each article.

Kantor and Twohey describe how Weinstein and his team arrived at the New York Times building unannounced and the uncomfortable yet necessary reality of door-stepping potential sources.

Weinstein’s abuse was not limited to stars like McGowan, Ashley Judd and Gweneth Paltrow, but also to ordinary women, some of whose stories are given a platform in the book. Kantor and Twohey found that settlements from Weinstein to cover up the abuse he committed was all too common.

Following a theme of uncovering sexual harassment and sexual abuse by recent widely known persons, She Said also has a chapter discussing Christine Blasey Ford’s allegation of sexual assault against Brett Kavanaugh, now a Supreme Court judge in the United States.

She Said highlights the importance of journalism and holding truth to power, particularly in a time where the integrity of the profession is called into question.

 

Photo by Pexels

 

 

Browse more stories below or sign up to our newsletter to receive our top news straight to your inbox!

 

 

Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Naomi Klein is as accessible as ever as she dissects the scientific and economic jargon of climate change, while simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable. On Fire: The Burning Case for a Green New Deal, has the possibility to unite the movement once again and inspire action on a scale that humanity has never accomplished before.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

New York Times journalists, Jodi Kantor and Megan Twohey broke the story about Harvey Weinstein in October 2017. The publication of the first piece on Weinstein led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. In She Said, they explain the process behind their investigative journalism.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa.

Book Review: “Yes, We Still Drink Coffee!”

“Yes, We Still Drink Coffee!” is a collection of powerful essays, interspersed with beautiful illustrations, that tell the stories of female human rights defenders from Egypt, Kuwait, Palestine, Tunisia, Turkey, Somalia and Sudan. Behind each story is a meeting of two women. Here is our review.

Short shorts film festival 2019 in Dublin – What to remember

Earlier this month, the European Union National Institutes for Culture (EUNIC) screened some of the best short films produced all over Europe, as part of the Short Shorts film festival. Screenings were hosted by language schools and embassies across Dublin.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa. This is a mob drama of epic proportions; not only in terms of the running time of 3 hours and 30 minutes but also the scope of the film which spans five decades and different characters and locations. An elderly Sheeran narrates the flashbacks throughout the film. The use of innovative de-ageing technology on the main characters is jarring at first but is easily forgotten thanks to the immersive nature of the film. Scorsese’s attention to detail, as well as the incredibly skilled performances by Robert DeNiro, Joe Pesci and Al Pacino; completely transports us into the life of Frank Sheeran and this world of violence and betrayal.    

Sheeran’s identity as a World War 2 veteran helps set the background to his abilities to follow orders and become a cold-blooded killer; as well as for the violent, emotional world that he easily adapts to. The film’s long, protracted conversations punctuated by moments of violence let the audience observe a sense of the rationalism and occasional banality of the mob world, instead of simply glamorising it. It paints the entire picture of one man’s life, bringing the audience along through all the ups and downs.

Although much of the film is in Scorsese’s classic style, the gangsters are older and more worn out than in films such as Goodfellas. The last half-hour of the film shows a much bleaker picture of the mob world, highlighting the emptiness of a life of crime and the ultimate price paid for this life of violence and excess. The emotions that they had learnt to separate from, and the religion which they had performed throughout their lives finally takes a toll on the characters at the end and provides a poignant ending that makes it well worth sticking it out through the long run time. 

 

Photo by  Ypehmish

 

 

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Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Naomi Klein is as accessible as ever as she dissects the scientific and economic jargon of climate change, while simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable. On Fire: The Burning Case for a Green New Deal, has the possibility to unite the movement once again and inspire action on a scale that humanity has never accomplished before.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

New York Times journalists, Jodi Kantor and Megan Twohey broke the story about Harvey Weinstein in October 2017. The publication of the first piece on Weinstein led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. In She Said, they explain the process behind their investigative journalism.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa.

Book Review: “Yes, We Still Drink Coffee!”

“Yes, We Still Drink Coffee!” is a collection of powerful essays, interspersed with beautiful illustrations, that tell the stories of female human rights defenders from Egypt, Kuwait, Palestine, Tunisia, Turkey, Somalia and Sudan. Behind each story is a meeting of two women. Here is our review.

Short shorts film festival 2019 in Dublin – What to remember

Earlier this month, the European Union National Institutes for Culture (EUNIC) screened some of the best short films produced all over Europe, as part of the Short Shorts film festival. Screenings were hosted by language schools and embassies across Dublin.

Book Review: “Yes, We Still Drink Coffee!”

Book Review: “Yes, We Still Drink Coffee!”

“Yes, We Still Drink Coffee!” is a collection of powerful essays, interspersed with beautiful illustrations, that tell the stories of female human rights defenders from Egypt, Kuwait, Palestine, Tunisia, Turkey, Somalia and Sudan. 

The book has been jointly published by two charities: Fighting Words and Front Line Defenders. Fighting Words works to foster imagination and develop the creative writing skills of children and young people, and Front Line Defenders is dedicated to protecting human rights defenders who are at risk due to the nature of their work.

Behind each story is a meeting of two women. Every piece was created when an inspiring advocate for the rights of others shared her story with an acclaimed writer, who then put it to paper. As a collection, these stories have striking commonalities, yet they are all delightfully unique in their telling.

The core message of the book is not a commendation of the extraordinary work being done by these women (although this is much deserved!). Instead this collaboration celebrates their ordinariness. We are given an insight into some of the most difficult places to be human in the world, and are introduced to women doing just that. 

These women still go for coffee, they still scroll through Instagram, they make jokes, they are as human as you and I, even in the face of absolute inhumanity. One woman describes her life as a human rights defender as “annoying” and “tiring”, as one might describe a tedious office job. For them, rising up to combat injustice is simply an element of their everyday life.

“Yes, We Still Drink Coffee!” is an intimate account of news stories to which we have become immune – too often unable to pierce through the overwhelming din of the media, and too far away to seem real. This book allows us to understand a world we have never been to, through the lens of human commonalities.

You will find yourself confronted with questions. Where was I, while these stories unfolded? Would I have the same courage, if my normal life was upturned by conflict? And what is “normal” life anyway? 

“Yes, We Still Drink Coffee!” is an arresting series of portraits, which gives an insight into the lives of extraordinarily ordinary women. It captures the immutability of our human nature, in even the most hostile of environments. One story offers this wisdom: When you love life, fear of death cannot stop you from taking action to protect it. Living life to the fullest is the greatest retaliation against oppression. 

This book exalts just that. 

You can purchase a copy of “Yes, We Still Drink Coffee!” at https://www.fightingwords.ie/yes-we-still-drink-coffee.

 

Photo by Fighting Words on Twitter

 

Browse more stories below or sign up to our newsletter to receive our top news straight to your inbox!

Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Naomi Klein is as accessible as ever as she dissects the scientific and economic jargon of climate change, while simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable. On Fire: The Burning Case for a Green New Deal, has the possibility to unite the movement once again and inspire action on a scale that humanity has never accomplished before.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

New York Times journalists, Jodi Kantor and Megan Twohey broke the story about Harvey Weinstein in October 2017. The publication of the first piece on Weinstein led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. In She Said, they explain the process behind their investigative journalism.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa.

The 6th of January: Women’s Christmas

The tradition of celebrating Nollaig na mBan is particularly associated with the West of Ireland and it seems to have originated as a reward for all of the hard work by women of doing the cooking, cleaning and organising of Christmas festivities.

STAND Women: 2019 in Review

Women make up roughly 50% of our global population but still face significant human rights challenges, including some which are less visible but equally damaging such as gender bias in institutions like the media. Cassie, our Women’s Section Editor, reminds us of the women’s rights issues that were important to us in 2019.

Short shorts film festival 2019 in Dublin – What to remember

Short shorts film festival 2019 in Dublin – What to remember

Earlier this month, the European Union National Institutes for Culture (EUNIC) screened some of the best short films produced all over Europe, as part of the Short Shorts film festival. Screenings were hosted by language schools and embassies across Dublin. 

Close to a dozen films were shown, and the audience was asked to vote for their favourite. Films in  competition were: : Tutorial (Goethe-Institut Irland) Fig (Embassy of Greece), Una casa en el campo (Instituto Cervantes/AECID), Non mi posso lamentare (Istituto Italiano Di Cultura – Dublino), Creatures (Polish Embassy Dublin), Thermostat 6 (Alliance Française de Dublin), Nachsaison (Embassy of Austria), Dodgy Dave (British Council Ireland), Late Afternoon (Culture Ireland). What Remains (Irish Film Institute) and Mr Ripple (Cork Film Festival) were also screened but did not take part in the competition.

The movies were a delight to watch. The common theme across the festival was that of forgotten or rekindled human connections. Be it that of love through years, or that of a child looking after her mom, or a girl’s quest to get her voice heard.. The audience seemed to have taken a liking towards two films namely, Una casa en el campo, the entry from Spain, and Fig the official entry from Greece. My personal favourite was “Fig” because I am a closet romantic. An injured man struggles through every unimaginable obstacle to fulfilling his dying wife’s last wish to eat a fig. This story will resonate with the audience of all ages and for times to come (see the trailer here). However, the award for best short went to rightly deserving Una casa en el campo (see the trailer here). The short film cleverly portrays invisible human connections, especially those that are sometimes unwelcome. The film shows the encounter between two neighbours for the first time. Despite their houses being separated by a wall, one of them seem to know everything about the other’s life. By using humour, the film shows that walls may not necessarily keep your lives private after all. Definitely a thought to ponder upon!

 

Photo by France in Ireland on Twitter

 

Browse more stories below or sign up to our newsletter to receive our top news straight to your inbox!

Yet Again, Love Island Is Failing Us On Diversity

The January blues may be in full swing but over on ITV2, love is in the air with the arrival of the very first winter season of Love Island. Although you cannot fault the extremely popular reality show on its entertainment value, it has come under scrutiny time and time again for its lack of body diversity, lack of racial representation and heteronormativity – this season is no exception.

Book Review: Klein Gifts Us With Tools to Unite Climate Action in ‘On Fire’

Naomi Klein is as accessible as ever as she dissects the scientific and economic jargon of climate change, while simultaneously injecting empathy and passion in her fight to hold corporations and fossil fuel companies accountable. On Fire: The Burning Case for a Green New Deal, has the possibility to unite the movement once again and inspire action on a scale that humanity has never accomplished before.

Book Review: New York Times Journalists Take On Weinstein in ‘She Said’

New York Times journalists, Jodi Kantor and Megan Twohey broke the story about Harvey Weinstein in October 2017. The publication of the first piece on Weinstein led to an influx of messages into Kantor and Twohey’s inboxes from women who had also experienced sexual harassment or assault. In She Said, they explain the process behind their investigative journalism.

Review: Scorsese’s ‘The Irishman’ is a Mob Drama of Epic Proportions

Scorsese’s latest $150 million passion project details the life of the mob hitman Frank Sheeran, and his involvement with the Bufalino crime family as well as the disappearance of the union leader Jimmy Hoffa.

Book Review: “Yes, We Still Drink Coffee!”

“Yes, We Still Drink Coffee!” is a collection of powerful essays, interspersed with beautiful illustrations, that tell the stories of female human rights defenders from Egypt, Kuwait, Palestine, Tunisia, Turkey, Somalia and Sudan. Behind each story is a meeting of two women. Here is our review.

Short shorts film festival 2019 in Dublin – What to remember

Earlier this month, the European Union National Institutes for Culture (EUNIC) screened some of the best short films produced all over Europe, as part of the Short Shorts film festival. Screenings were hosted by language schools and embassies across Dublin.